Hydrocal cast of fabric using fibre reinforcements

Ferrosilicon used in a steelmaking process

3D printed clay vase prototype (unfired)

Raw aluminum pellets

Blue glass bottle made at Corning Museum of Glass workshops in New York

Traditional cone of incense from the German Apothecary Museum in Heidelberg

Rammed earth with 7% portland cement using layered earth and recycled bricks

Tools and fragments of a beautiful decorative wood panel recovered in the Byward Market revealing traces of its manufacture

Testing of bubble material surfaces in casting plaster

Beebole tile hand-formed using wild clay harvested from our garden by Ju Huang as part of her Master's thesis

Canadian Clay & Glass Museum from our participation in the Robotic Clay exhibition

Recycled block of maple for context model

A byproduct of steel-making is used to offset the quantity of Portland cement in concrete

Failed attempt at printing a two-part sphere (fired and glazed)

Aluminum test plug from Chicoutimi

Turmeric for natural pigments

Oyster shells used to make lime putty

Block of acrylic holding Sika brand plastic fibres used in fibre-reinforced concrete products

Test of a plaster cast monster using fabric made by Jesse Rafaeiro as part of the Daedalic Exercises PhD course

Three viles of black ink recreated from a 14th century recipe by Cennino Cennini by Justin Yan as part of Daedalic Exercises

Small 3D printed prototype of the Robotic Clay wall by Catalin Bacalu

Samples of 3D printed clay using various toolpath options

Heat retaining soap stone block

Sculpted prototype for vessel used in glass production in the CSALT kiln

3D printed cellular structure to test our PLA printer

Roman style glass bottle made by a student at the Corning Museum of Glass workshops

3D printed vase prototype using the CSALT PLA printer

Zeoform block made by Jesse Bird using nano- and micro- fibrillated recycled cellulose and water

Sample tile by Stephanie Murray using water-based transfer to plaster cast for the CSALT-led Quilt Wall project

Failed attempt at printing and glazing a brick for the Robotic Clay exhibition wall. Open for viewing in Room 208

Glass tiles behind green glass pellets for layering onto clear glass

Full-scale prototype of one piece of the topology optimization center with imperfections on the seams by Adonis Lau, Catalin Bacalu, and Meaghan Dickson

First attempt at 3D printing Ultra-High Performance concrete (UHPC with fibre reinforcements) with a tuft of goat hair and raw sheep wool used in traditional building stuffed in top

Hemp-lime with biochar block with magnesium binder by Robin Papp as part of his Mitacs research

Poster of the most recent Instagram post @CSALTarchitecture

Foamed aluminum lightweight panel

Failed test pyramid form (fired and glazed) for our Robotic Clay exhibition piece

Hand-sculpted marble chess piece prototype for a chess board as part of a workshop course

Selection of natural fibre-based sheets, blocks and panels including papyrus, hemp, sawdust, wood strands, Zeoform etc.. and the CSALT apron made by Slade Solomon

Jar of willow twigs carved and ready to be turned into charcoal pencils in the fire in a sealed vessel

Prototype of ideas for using 3D printing and casting to create a concrete chair by Sinan Husic as part of his Master's thesis

Crushed glass for painting onto stained glass

Clay prints using natural materials by George Gilouris-Tsivikas and Shela Lamug

Nozzles for our 3D Potter Scara V4 3D printer